Erasmus, Peter Behrens School of Architecture and Design, Düsseldorf (DE), 2017–2018.
Bachelor’s, Industrial Design & Advanced Ceramics, ISIA Faenza (IT), Cum laude, 2014–2018.
Designer in residency, Creative Residency Arita (Japan), January–March 2024.
Main lecturer in Natural Materials in Ceramics, The Material Way, January–June 2024.
Fellow Researcher, LINA x TU Wien, Vienna, October 2023–August 2024.
Tutor, Gerrit Rietveld Academie, Amsterdam (NL), September 2023–June 2024.
Ceramic researcher, Bruno Baietto’s In Bones We Dwell, Dordrecht’s Museum (NL), 2023.
Ceramic workshop specialist, KABK, The Hague (NL), January–August 2023.
RAW.obj, Pioneers in Ceramics, Prinsenhof Museum Delft (NL), February 2024–ongoing.
Conversing with Matter, Princessehof Museum Leeuwarden (NL), November 2023–ongoing.
In Presence of Your Absence + RAW.obj, Open Studios, Rijkskademie, Amsterdam (NL), 2024.
In Presence of Your Absence, Hong Kong Design Institute (CH), January–May 2024.
In Presence of Your Absence, Milan Design Week, ADI Design Museum, Milan (IT), 2023.
Vestiges, Alcova, Milan Design Week, Fuorisalone, Milan (IT), 2023.
In Presence of Your Absence, Material District, Utrecht (NL), 2023.
Raw.obj, The Future of Art Making, Rijksakademie van beeldende kunsten (NL), 2022.
Ciona Are Doing Well, SVA Bio Art Lab, New York, 2022.
SPAZIO 1/2: Worskshop “Clay Dialogues”, Drop City, Fuorisalone, Milano (IT), 2022.
Sea Silt, collaboration with Humade, Ceramics Museum Princessehof, Leeuwarden (NL), 2022.
Conversing with Matter, DAE75!, Fuorisalone, Milano (IT), 2022.
Conversing with Matter, Rethinking Plastic, Yksi Expo , Eindhoven (NL), 2022.
Conversing with Matter, Design Fest Gent, Design Museum Gent, Gent (BE), 2022.
Conversing with Matter, From the Ground Up, Material Source Studio, Manchester (UK), 2022.
Conversing with Matter, Design Open, Kazerne, Eindhoven (NL), 2021–2022.
Conversing with Matter, Dutch Design Week 2021, DAE Graduation Show, Eindhoven (NL).
Ciona Are Doing Well, Interspecies Futures, by Oscar Salguero, NY Center for Book Arts, 2020.
Award, Young New Talent, Material District, Utrecht (NL), 2023.
Grant, Creative Residency Arita, Japan, Stimuleringsfonds, 2024.
Grant, Building Talent, Stimuleringsfonds, The Netherlands, 2021.
Nominee, Gijs Bakker Design Award, Design Academy Eindhoven, 2021.
©Benedetta Pompili 2024
For collaborations, workshops, courses, talks, or informal chit-chats feel free to contact me at:
info@benedettapompili.com
- Designed and developed with EleonoraToniolo
- Visuals: J.M. Lemohang
- Printed on FSC paper, Berlin, 2023.
FU Review N10: Restoration showcases a selection of Audrey Lorde's touching letters and poetries from the University Archive of the Freie Universitat Berlin. The publication hopes "to encourage others to explore and examine Lorde’s writings, correspondence, and lectures in future projects." It was our design choice to keep the scans of the original untouched.
The archival documents accompany new writings from Eric Abalajon, Indie Laras Bacas, Victor F. Breidenbach, Onyedikachi Chinedu, Iva Damjanovski, Taiwo Hassan, Shalom Kasim, Yaa Konadu, Arbër Selmani, Charika Swanepoel, Ilias Tsagas, and Allison Whittenberg.
The editorial design of the journal has been curated by Eleonora Toniolo and Benedetta Pompili, with the help of the editors in chief, since 2019. The design was thought to smoothen out the readers’ experience of the journal, that had been abruptly changed multiple times in the previous issues. The typographic choices and the grid are designed for a pleasurable and airy reading with a sensitivity to detail. Each issue is unique, as the design is lightly adapted to the temporary main theme and the practice of the visual artist, changing as well for each edition.
Special thanks goes to the JFKI Alumni Association, whose generous support made this publication possible.