Ceramics become a recurring ground for their ability to absorb the socio-political and cultural aspects embedded within the area(s) the come and become. Urban and industrial remnants recur in the work, drawn by their ambiguous past and circulation. Their incorporation is meant to amplify and shed light on their uncertain status.
At the core of the work lies an interest in process as a form of knowledge. This extends beyond objects into the design of shared workspaces intendend as environments that support exchange and collaboration.