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                        <loc>https://benedettapompili.com/artes-de-la-tierra</loc>
            
            
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                                            <image:caption>View of the &lt;i&gt;Tile house&lt;/i&gt;, courtesy of the designer, 2025.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/N2683552815366553937412577769922/IMG_4083.jpg</image:loc>
                                            <image:caption>Conversing with Matter, full installation with supports in biodegradable rice husk, courtesy of the designer, 2025.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/R2683555417906994832650957961666/tile-house-long.jpg</image:loc>
                                            <image:caption>View of the &lt;i&gt;Tile house&lt;/i&gt;, courtesy of the designer, 2025.</image:caption>
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                                            <image:caption>&lt;i&gt;Conversing with Matter, &lt;/i&gt;still from short about the making process, 2021, copyright of Benedetta Pompili. </image:caption>
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            <url>
                        <loc>https://benedettapompili.com/cup-of-the-afterlife</loc>
            
            
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                                            <image:caption>Cup of the Afterlife, detail, 2025.</image:caption>
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                                            <image:caption>Cup of the Afterlife, detail, 2025.</image:caption>
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                                            <image:caption>Cup of the Afterlife, detail, 2025.</image:caption>
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                        <loc>https://benedettapompili.com/redux</loc>
            
            
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                                            <image:caption>REDUX, ph. by Rui Cardoso, 2025.</image:caption>
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                                            <image:caption>REDUX, ph. by Rui Cardoso, 2025.</image:caption>
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                                            <image:caption>REDUX, detail, ph. by Rui Cardoso, 2025.</image:caption>
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                                            <image:caption>REDUX, ph. by Rui Cardoso, 2025.</image:caption>
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                                            <image:caption>&lt;span style=&quot;--font-scale: 0.99;&quot;&gt;REDUX, detail, ph. by Rui Cardoso, 2025. &lt;/span&gt;</image:caption>
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                        <loc>https://benedettapompili.com/le-sere</loc>
            
            
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                                            <image:caption>LE SERE, &lt;i&gt;Saturn&lt;/i&gt;, copyright of Benedetta Pompili, 2025.</image:caption>
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                                            <image:caption>LE SERE, detail from &lt;i&gt;Saturn&lt;/i&gt;, copyright of Benedetta Pompili, 2025.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2617792985724676674018482796994/IMG_3270.png</image:loc>
                                            <image:caption>LE SERE, &lt;i&gt;Saturn&lt;/i&gt;, copyright of Benedetta Pompili, 2025.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2617793321676779744416836827586/IMG_3283.png</image:loc>
                                            <image:caption>LE SERE, details of &lt;i&gt;Nuvola&lt;/i&gt;, copyright of Benedetta Pompili, 2025. </image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2617793824092301335970184640962/Screenshot-2025-10-26-alle-12.41.18.png</image:loc>
                                            <image:caption>&lt;span style=&quot;--font-scale: 0.99;&quot;&gt;LE SERE, N3 or &lt;i&gt;Mars&lt;/i&gt;, copyright of Benedetta Pompili, 2025. &lt;/span&gt;</image:caption>
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                        <loc>https://benedettapompili.com/the-watcher</loc>
            
            
            <lastmod>2025-12-06T18:04:50+00:00</lastmod>
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                                            <image:caption>Ola Hassanain, The Watcher, Kunstinstituut Melly, 2025.&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/A2617760214050812060872302082498/2025_Ola-Hassanain_The-Watcher_Melly_022_HR.jpg</image:loc>
                                            <image:caption>Ola Hassanain, The Watcher, Kunstinstituut Melly, 2025.&lt;br /&gt;
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                                            <image:caption>Details glazed stoneware seatings, Ola Hassanain, &lt;i&gt;The&lt;/i&gt; &lt;i&gt;Watcher&lt;/i&gt;, 2025.</image:caption>
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                                            <image:caption>Ola Hassanain, The Watcher, opening, Kunstinstituut Melly, 2025.&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/V2617770907517671125857116568002/IMG_2938.jpg</image:loc>
                                            <image:caption>Samples of glazes made of waste materials around the Netherlands and available for the members of the collective for their practices, 2025. </image:caption>
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                        <loc>https://benedettapompili.com/hama</loc>
            
            
            <lastmod>2026-01-17T16:11:00+00:00</lastmod>
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                                            <image:caption>HAMA, plates details, porcelain, Arita, 2024.</image:caption>
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                                            <image:caption>HAMA,details of coffee filter, teapot and cups, Arita, 2024. </image:caption>
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                                            <image:caption>HAMA, plates details, porcelain, Arita, 2024.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2418399685742250823697317706178/Hama-landscape.jpg</image:loc>
                                            <image:caption>Various types of hama, archival research for HAMA, Arita, 2024.</image:caption>
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                                            <image:caption>HAMA, cups, bowl, plate and filtered coffee holder, Arita, 2024.  </image:caption>
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                                            <image:caption>HAMA, presentation at the Tashiro Western-style House, Arita, 2024.</image:caption>
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            <url>
                        <loc>https://benedettapompili.com/vuur-collective</loc>
            
            
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                                            <image:caption>Workspace view of vuur collective, Amsterdam, copyright of Benedetta Pompili 2025.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2241589559231862409162959305154/IMG_212172.jpg</image:loc>
                                            <image:caption>Glaze kitchen view, furniture designed by Benedetta Pompili in collaboration with RME Solutions. Copyright of Benedetta Pompili 2025. </image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2241589656058822052064395737538/IMG_213472.jpg</image:loc>
                                            <image:caption>Workspace view of vuur collective, Amsterdam, copyright of Benedetta Pompili 2025.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2348290601579706156912714660290/IMG_2327.jpg</image:loc>
                                            <image:caption>Samples of glazes made of waste materials around the Netherlands and available for the members of the collective for their practices, 2025. </image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2348293572483179460057131071938/Screenshot-2025-05-10-alle-11.25.49.png</image:loc>
                                            <image:caption>Wild clay workshop lead by designer Elena Genesio at vuur collective, 2025. </image:caption>
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        </url>
            <url>
                        <loc>https://benedettapompili.com/material-assemblies-1</loc>
            
            
            <lastmod>2025-12-06T18:04:50+00:00</lastmod>
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                                            <image:caption>Pressed adobe brick composed of waste products of the sugar industry, Material Assemblies, Wien, 2024. </image:caption>
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                                            <image:caption>Pressed adobe brick composed of waste products of the sugar industry, Material Assemblies, Wien, 2024. </image:caption>
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                                            <image:caption>Tests of ash glazes from local invasive plants and residual quartz from stone cutting facilities, Material Assemblies, 2024. </image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2247179301693000141739054807490/Screenshot-2025-03-07-alle-23.30.57.png</image:loc>
                                            <image:caption>Leftover bricks from Wienerberger implemented in the Material Assemblies material research, Biofabrique Vienna, 2024. </image:caption>
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                                            <image:caption>Natural plaster tests library, Material Assemblies, 2024.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2247248374031997877184607238594/WhatsApp-Image-2024-05-28-at-09.13.47.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Dr. Gerhard Zsutty, the director of the Vienna Brick Museum, with compressed brick developed by Material Assembies, 2024, ph. by Hannah Carolina Segerkrantz.&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2247248965397719392165412944322/_S8A8004-2.jpg</image:loc>
                                            <image:caption>Rammed earth bricks, Material Assemblies, 2024 ph. by Paul Sebesta. </image:caption>
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        </url>
            <url>
                        <loc>https://benedettapompili.com/make-no-bones-about</loc>
            
            
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                                            <image:caption>Bone china stock and production facilties, courtesy of Global Ceramics, Stoke on Trent, 2024.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2241605287589942440580210964930/IMG_1991.jpg</image:loc>
                                            <image:caption>Bone china stock and production facilties, courtesy of Global Ceramics, Stoke on Trent, 2024.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2241606808874479455333223184834/IMG_1898.jpg</image:loc>
                                            <image:caption>Bone china production facilities, courtesy of Valentin Clays std. Stoke on Trent, 2024.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2241607268032386194037672458690/IMG_2039.jpg</image:loc>
                                            <image:caption>Etruria industrial museum, previous Shirley’s bone mill and ashes developer. Stoke on Trent, 2024.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2241608061795783685759678495170/IMG_1820.jpg</image:loc>
                                            <image:caption>Bottle ovens, Stoke on Trent, 2024.</image:caption>
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        </url>
            <url>
                        <loc>https://benedettapompili.com/raw-obj</loc>
            
            
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        </url>
            <url>
                        <loc>https://benedettapompili.com/quenched-asbestos-x-winnie-herbstein-2</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/E1625023926617860736134313097666/2_IPYA_Benedetta-Pompili_HR.jpg</image:loc>
                                            <image:caption>Panel III, treated asbestos glaze on pressed stoneware, pattern and panels realised by Winnie Herbstein, 2024.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/M1982277589993248036470622992834/3_72ddpi.jpg</image:loc>
                                            <image:caption>Panel III, treated asbestos glaze on pressed stoneware, pattern and panels realised by Winnie Herbstein, 2024.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D1982278123048811534455536040386/5_72ddpi.jpg</image:loc>
                                            <image:caption>Panel II detail, treated asbestos glaze on pressed stoneware, pattern and panels realised by Winnie Herbstein, 2024.</image:caption>
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                                            <image:caption>Conversing with Matter, wild clay from the Maas river and industrial stoneware (DE), &lt;b&gt;© &lt;/b&gt;Benedetta Pompili 2021. </image:caption>
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                                            <image:caption>Conversing with Matter, wild clay from the Maas river and industrial stoneware (DE), ph. Femke Rijnemans,&lt;br /&gt;
 © Benedetta Pompili 2021. </image:caption>
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                                            <image:caption>Treated asbestos applied as grog in wild clay and stoneware, © Benedetta Pompili 2021. </image:caption>
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                                            <image:caption>Treated asbestos and clay body test with wild clay, © Benedetta Pompili 2021.</image:caption>
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                                            <image:caption>Conversing with Matter, still from short of the making process, EKWC, 2021. </image:caption>
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                                            <image:caption>Profiles and shapes research, © Benedetta Pompili 2021. </image:caption>
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                                            <image:caption>Jiggering tool, EKWC, NL, © Benedetta Pompili 2021. </image:caption>
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                                            <image:caption>FU Review, ed. N10 “Restoration”, with original Lorde’s handwritten edits, 2023.</image:caption>
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                                            <image:caption>FU Review N12 “Dirt”, 2022.</image:caption>
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                                            <image:caption>FU Review N12 “Dirt”, 2022.</image:caption>
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                                            <image:caption>FU Review, ed. N10 “Restoration”, with original Lorde’s handwritten edits, 2023.</image:caption>
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                                            <image:caption>Residency workspace at Tichelaar Makkum.</image:caption>
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                                            <image:caption>Plaster mould in levels, courtesy of Humade, 2022.</image:caption>
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